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Which pickups are best for rock?

Warman Warlokis. Mixed set of bridge Warblade and neck Loki

Which pickups are best for rock ? If we’re talking rock tones, you’re basically hunting for three things:
👉 punchy mids
👉 enough output to push an amp
👉 clarity so it doesn’t turn into sonic soup

Luckily, quite a few Warman pickups tick those boxes nicely. Here’s a clear, no-nonsense breakdown of the best contenders (from classic rock crunch to full-on “wake the neighbours” mode).

Warman Stealths. High output passive electric guitar pickups
Warman Stealths. High output rock pickups

🎸 Best Warman Pickups for Rock

1. Warblades – High Output Rock Machine

Best for: Hard rock, modern rock, chunky riffs

  • High-output rail humbuckers
  • Ceramic magnets for tight, aggressive response
  • Around 13.4kΩ resistance (plenty of push) 

These are your plug-in-and-go rock pickups. Tight low end, strong mids, and enough output to make your amp sweat slightly.

👉 If your idea of rock involves power chords and attitude, these are a safe bet.


2. Twin Loco – Seriously Hot Output pickups

Best for: Heavy rock, high gain, “let’s melt something” tones

  • Very high output (around 14.1kΩ) 
  • Rail design = even string response
  • Coil-splittable for versatility

These are not shy pickups. They’re loud, punchy, and love distortion.

👉 Think: modern rock, alt rock, borderline metal
👉 Bonus: coil split gives you cleaner options when you behave yourself


3. Lil’ Hot Devils – Classic Rock with Bite

Best for: Classic rock, blues rock, punchy rhythm

  • Overwound high-output humbuckers
  • Strong warmth + presence 
  • Clear but powerful tone

These sit nicely between vintage and modern. Not too extreme, not too polite.

👉 Great if you want AC/DC crunch rather than full apocalypse


4. Loki Hybrid – The “Do Everything” Rock Pickup

Best for: Versatile rock players (covers, multiple styles)

  • Hybrid design: pole piece + rail combo
  • High output with tonal flexibility 
  • 4-wire for coil splitting

This is your Swiss Army knife of rock pickups. One minute classic crunch, next minute sharper modern bite.

👉 Ideal if your setlist jumps from blues rock to heavier stuff


5. Stealth Humbuckers – Balanced Rock Performer

Best for: General rock, all-round use

  • Medium-high output (~11kΩ bridge) 
  • Designed to handle a “rocky heavier side”

These are the “no drama” option. They’ll happily do rock all day without getting overly aggressive.

👉 Think: solid, reliable, sounds good in everything


Quick Cheat Sheet

StyleBest Choice ( In my opinion )
Classic RockLil’ Hot White Devils
Blues RockStealth / White Devils
Hard RockWarblades
Modern RockTwin Loco
Versatile PlayerLoki

The Honest Truth (No Marketing Fluff)

There isn’t one “best” pickup for rock—because rock itself goes from Chuck Berry to Slipknot in about three hundred steps.

But if you want a simple rule:

👉 More output = more aggression
👉 More moderate output = more classic tone and dynamics


Final thoughts on rock pickups

If you’re unsure and just want a guaranteed upgrade:

👉 Go Warblades for punch
👉 Go White Devils for classic vibe
👉 Go Twin Loco if subtlety isn’t your thing

Or, as any guitarist eventually learns…
you’ll probably try all three anyway 😄

Other pickups choice guides

What pickups are best for Tele style guitars ?

This article was written by Josi Warman, founder of Warman Guitars. With over 40 years of experience building guitars, designing pickups, creating custom wiring systems and publishing guitar-building guides, Josi has helped thousands of players upgrade and customise their instruments.

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What the Dickens !!!!!!

A Rock ‘n’ Roll Christmas Carol
By Someone Who’s Probably Had Too Much Eggnog ( as in Josi Warman )


Ebenezer “Eb” Scrooge was the most self-absorbed lead singer in all of rock ‘n’ roll. A strutting, leather-pants-wearing egomaniac, he demanded the spotlight like a moth demands a flame. His band, The Humbuggers, was once poised for greatness, but Eb’s toxic attitude had left them on the brink of collapse. Late-night arguments, blown gigs, and the inability to recognize anyone else’s talent had turned the once-promising group into a glorified pub act.

None suffered more than Bob Cratchit, the band’s lead guitarist. Bob was a genius with a six-string, coaxing beauty from his beat-up Stratocaster. But despite his talent, he endured Eb’s tantrums and constant putdowns, all for the love of music—and for his family, especially his son Tiny Tim, who dreamed of getting his dad’s band on the charts before the kid’s brittle little legs gave out entirely.

It was Christmas Eve, and the band had just limped through a gig at the Dismal Arms, a venue that smelled like beer, disappointment, and last week’s carpet cleaner. As the crowd booed them off the stage, Eb snapped at Bob.

“You’re dragging me down, Cratchit!” he barked. “You play like a guy who’s afraid to bend a string. Where’s the passion?”

“Passion?!” Bob shot back. “I’ve been carrying this band for years while you prance around screeching like a feral cat!”

“You’re replaceable, Cratchit!” Eb snarled before storming off into the snowy night.


That night, Eb returned to his freezing flat, still convinced he was the only reason The Humbuggers hadn’t yet conquered the charts. As he gulped down a lukewarm whiskey and tuned his acoustic guitar, the lights flickered ominously.

Suddenly, the amp in the corner crackled to life. Out of it came the ghostly image of Marley, Eb’s former bassist and bandmate who’d OD’d after the band’s first album flopped. Marley floated toward him, rattling a chain made of broken guitar straps, tour passes, and unsold merch.

“Eb!” Marley wailed. “You’re on a path to destruction, mate! You’re doomed to a life of irrelevance unless you change your ways!”

“Bah, humbug!” Eb scoffed. “You were always jealous of my talent, Marley. What do you know?”

“Plenty! And tonight, you’ll be visited by three spirits—of bands past, present, and yet to come. Listen to them, or spend eternity gigging in purgatory with no roadies!”

Before Eb could argue, Marley disappeared in a puff of dry ice.


The Ghost of Bands Past

The first ghost showed up at midnight—a bedraggled figure in a faded Led Zeppelin T-shirt. It was Eb’s first-ever drummer, a guy named Sticksy, who’d been fired after complaining about Eb’s insistence on nine-minute vocal solos.

Sticksy whisked Eb back to their first gigs in smoky bars, where the band was fresh, raw, and happy. Eb watched himself laughing with his old mates, sharing greasy chips after shows, and listening to everyone’s input on songs.

“You were part of a team,” Sticksy said. “But your ego ruined it. Remember the night you replaced me with a drum machine?”

“That drum machine was never late to rehearsals,” Eb muttered.

Sticksy rolled his eyes. “You’re hopeless, mate. Maybe the next ghost can fix you.”


The Ghost of Bands Present

At 1 a.m., Eb was jolted awake by a hulking, leather-clad figure holding a Gibson Flying V. The ghost introduced herself as “Rocksy,” the spirit of the present, and took Eb to the Cratchit household.

There, Eb saw Bob huddled by the fire with his family. Despite the cold and the measly meal on the table, they were laughing and singing carols, with Tiny Tim strumming along on a ukulele.

“They believe in you,” Rocksy said. “Bob defends you to everyone, even though you’re impossible to work with. He thinks you still have it in you to be great.”

Eb felt a pang of guilt but quickly buried it. “I’ve been carrying Bob for years! He’s lucky to have me.”

Rocksy sighed. “You’re thicker than a Marshall stack. Let’s move on.”


The Ghost of Bands Yet to Come

At 2 a.m., the final ghost appeared—a silent, cloaked figure with an air of doom. The ghost showed Eb a future where The Humbuggers had disbanded. Bob had joined a rival group and was now shredding his way through sold-out arenas. Tiny Tim, now an adult, dedicated every hit song to his dad.

Meanwhile, Eb saw himself alone, forgotten, and reduced to singing karaoke in a rundown pub. The ghost pointed to a gravestone engraved with the words, “Here lies Ebenezer Scrooge: The Least Missed Frontman of All Time.”

“No!” Eb cried. “I can change! I’ll be better! I’ll give Bob the credit he deserves, and I’ll stop being such a diva!”

The ghost remained silent, but Eb felt his heart swell with resolve.


The next morning, Christmas Day, Eb burst into Bob’s flat, startling the Cratchit family mid-breakfast.

“Bob, I’ve been a total knob!” Eb declared. “You’re the soul of this band, and from now on, you’re getting a bigger share of the royalties—and full credit on all the tracks.”

Bob gawked. “Have you been drinking, or are you actually being sincere?”

“Sincere! Also, Tiny Tim, you’re getting a new guitar!”

Tiny Tim cheered, “God bless us, every one!”

That night, The Humbuggers played their best gig yet, with Eb sharing the spotlight for the first time. The audience went wild, and the band felt like a family again.

And from that day forward, Ebenezer Scrooge became the most generous, supportive frontman in rock ‘n’ roll history—well, at least until the next ego trip.

The End.

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The City Kids – Filthy Warmanizers.

The City Kids – forged from Northern grit and Danish flair, a bunch of ragtag, rock n’ roll reprobates, part punk, part sleazy gutter-trash dirt. With a blend of crushing power-chords, gruff vocals, incendiary lead-playing, and pop-focussed harmonies to die for, The City Kids will set up home in your head and refuse to ever leave again

John JJ Watt – Vocals and Guitar

Recently JJ installed a custom one off set of Warman’s into his Vintage V100 VMX. Based upon our Limited Edition run of open clear bobbin Anniversary A5/2 Pickups but wound a little different. The bridge pickup is wound to 8.4 kOhms with an Alnico 5 magnet and the neck is wound to 7.4 kOhm with an Alnico 2 magnet. Both pickups have had a hefty sprinkling of Warmanite in there too for that little extra Va Va Voom.

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Groove Babies – how do they sound ?

You’ve probably seen our Alnico 2 60’s inspired Groove Babies on the website and wondered how they sound. You’re also probably maddened by the fact that we refuse to produce our own sound clips as we believe its better that people put up genuine real world sound clips of pickups that they are impressed with rather than some factory focussed ( and possibly tweaked ) version produced in house by us.

Well after a few months of being introduced we’ve now found a sound clip of the Groove Babies and the link is below.

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Resistance is futile, except sometimes it’s not.

Theres that age old rule that 500k pots are better suited to humbuckers as they let a bit more treble through and 250k are better on single coils as they kill off a bit of the shrillness. So what do you do on guitars that have a mix of both humbuckers and single coils ?

You can get the best of both worlds by “tricking” your 500k pots into being 250k pots. I’m not going to bore you with the science ( Google it if you are interested ) but in our good old quick and dirty fashion we are just going to show you how to do it and throw in the quick explanation that running the 500k resistance of the pot in parallel with the 500k of another resistor switched in it’ll drop the resistance of the 500k pot by half giving you 250k.

You just need to use a 500k push pull volume pot with a 500k resistor wired into the switch so that when you pop the switch up the pot “thinks” its a 250k pot and in the down position it’s just it’s plain old self at 500k. The pot will sound darker in the up position killing off some of the treble responses and making your single coil, or tapped humbucker, sound a little bit sweeter.

Its also a handing trick for quickly swapping tone at the push of a switch.